Pesan Moral dalam Film Ada Mertua di Rumahku di KlikFilm (Analisis Semiotika Roland Barthes)
DOI:
https://doi.org/10.47233/jkomdis.v3i3.1154Keywords:
Pesan moral, Film, Semiotika Roland BarthesAbstract
Film is a medium that can reflect social reality in everyday life and participate in the creation of reality. The Indonesian movie that airs on KlikFilm service entitled Ada Mertua di Rumahku displays social reality, namely about the life of a married couple with their father-in-law. A movie can convey various messages, one of which is a moral message. Given that a movie can be adapted from a novel or true story to describe someone's life story. These messages are very important in influencing changes in audience behavior. The purpose of this study is to determine the content of moral messages in the movie Ada Mertua di Rumahku. This research uses descriptive qualitative method by observing the scenes of the movie Ada Mertua di Rumahku. The data in this study were analyzed using Roland Barthes Semiotics which uses two-stage signification, namely denotation and connotation as well as myths in capturing scenes in the film Ada Mertua di Rumahku. The results of this study indicate the existence of moral messages which include the categories of moral messages about Marriage, Filial Piety, Patience, and Compassion.
Downloads
References
Alfathoni, M. A. M. M. S., & Manesah, D. (2020). Pengantar Teori Film. Deepublish.
https://books.google.co.id/books?id=_G4PEAAAQBAJ
Andiara, A. P., & Muhdaliha, B. (2022). ANALISIS SEMIOTIKA ROLAND BARTHES TERHADAP PESAN MORAL
DALAM VISUAL FILM JOJO RABBIT The Roland Barthes Semiotic Analysis of Moral Messages in the Visual
Jojo Rabbit Film. 5, 1–30. http://journal.ubm.ac.id/index.php/titik-imaji/
Angela, M., & Winduwati, S. (2019). Representasi Kemiskinan dalam Film Korea Selatan (Analisis Semiotika Model
Saussure pada Film Parasite).
Barthes, R. (2017). Elemen-Elemen Semiologi. BASABASI. https://books.google.co.id/books?id=h1lFEAAAQBAJ
Fauzi, A. (2022). PESAN MORAL DALAM FILM 100% HALAL KARYA JASTIS ARIMBA.
Ginting, L. D. C. U., Lila, P. H., & Nurhabsyah. (2023). Dampak Kepopuleran Anime One Piece, Naruto, dan Bleach
terhadap Minat Menonton Masyarakat Indonesia melalui Platform Layanan Streaming Video. Jurnal Talenta
Publisher, 6, 19–26. https://doi.org/10.32734/lwsa.v6i2.1729
Gulam, F. M., Beta, P. A., & Rizqi. (2023). ANALISIS RESEPSI MAHASISWA ILMU KOMUNIKASI UNIVERSITAS 17
AGUSTUS 1945 SURABAYA PADA KORBAN KEKERASAN SEKSUAL DALAM FILM PENYALIN CAHAYA.
Haritsa, M. B., & Alfikri, M. (2022). ANALISIS SEMIOTIKA PESAN MORAL PADA FILM LAYANGAN PUTUS
(MODEL ROLAND BARTHES). ANALYTICA ISLAMICA, 12(2), 2022.
Khairunnisa, A., Effiati, J. H., & Novri. (2021). Representasi Nilai-Nilai Karakter Masyarakat Minangkabau pada Film
Surau dan Silek Representation of Minangkabau Community Character Values in Surau and Silek Films. Ilmu
Komunikasi (JIPIKOM), 3(2), 147. https://doi.org/10.31289/jipikom.v3i2.605
Lantowa, J., Nila, M. M., & Khairussibyan. (2017). Semiotika: Teori, Metode, dan Penerapannya dalam Penelitian
Sastra. Deepublish. https://books.google.co.id/books?id=i1xDDwAAQBAJ
Lellana, I., Mirza, R., & Hayu, L. (2021). Representasi Pesan Moral Dalam Film Tilik (Analisis Semiotik Roland
Barthes). Cakrawala-Jurnal Humaniora, 21(2), 142–156. https://doi.org/10.31294/jc.v19i2
Panuju, R. (2019). Film sebagai Proses Kreatif. INTELIGENSIA MEDIA.
https://books.google.co.id/books?id=VJDPDwAAQBAJ
Saputra, D. S. S., & Saifudin, A. (2022). Analisis Semiotika pada Film. Haura Utama.
https://books.google.co.id/books?id=4GumEAAAQBAJ
Wahjuwibowo, I. S. (2019). SEMIOTIKA KOMUNIKASI EDISI III: aplikasi praktis untuk penelitian dan skripsi
komunikasi. Mitra Wacana Media. https://books.google.co.id/books?id=qsKHDwAAQBAJ
Downloads
Published
How to Cite
Issue
Section
License
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under an Attribution 4.0 International (CC BY 4.0) that allows others to share — copy and redistribute the material in any medium or format and adapt — remix, transform, and build upon the material for any purpose, even commercially with an acknowledgment of the work's authorship and initial publication in this journal.
